Showing posts with label Doodles. Show all posts
Showing posts with label Doodles. Show all posts

Monday, 29 May 2017

Clip Studio Doodles


  A while ago I saw that Clip Studio was having one of its periodic sales so I bought it, installed it and mostly forgot about it.  I fired it up and thought it didn't quite have the immediate ease of use of Paint Tool Sai in terms of deploying its tools.

  This year I discovered that people sell large "Brush Packs" for art programs.  I had spent some Christmas money on some for Photoshop and then on some for Clip Studio.  Photoshop is a bit of a monster that my old computer groans a bit under so I let the license expire for it.  It didn't feel like something that natural to sketch in in any case.

  For Clip Studio I bought the Frenden super set.  I have barely explored the full range but I've found it an interesting experience.  It's been so long since I've drawn but I used the soft "pencil" brushes and then used "acrylic" to layer over the top, mimicing the way that I paint my gaming models in real life.

  These were doodles from imagination, without reference, to see if I could recall some basic anatomy and posing.







  I haven't had the confidence to really draw digitally in a long time.  I think this will be the program / tools which I use to get back into it.

Friday, 20 January 2017

Warhammer Art: A Dark Congregation

  One thing I have been striving for is the dark, crowded style of traditional Warhammer art.

  I don't just mean that exemplified by John Blanche, but also artists who came later to GW like the late Wayne England or David Gallagher. 

  Codices and rulebooks were filled with lavish illustrations which veered from ink splattered, frenetic visions to meticulous illuminations.  I attempted to do something approaching that with this picture.  I put the pencil on the paper and told myself to fill the page, even if it was just very roughly or without precision.


  I am very happy with the result, a dark congregation praising some blasphemous, forgotten God. Drawn for Khordal's topic on the Ammo Bunker forum.

Sunday, 25 December 2016

Warhammer Art: Land of Eternal Autumn

For Yule, I have taken receipt of a printer / scanner.

I have recently joined the "Inquisimunda" forum on Ammo Bunker and been inspired to share my pictures which have grown from that ferment.

In fact I made a topic to post my doodlings, but I felt I would edit them and repost them here for sake of record.

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I have a vague outline for a place which was in the very early stages of what would eventually become a Hive World, but on being cut off from the Imperium ended up regressing into a Knight World level of technology. Parts are almost medieval, with a huge central city and ruins and remnants of semi autonomous refineries/factories scattered throught the world. Left to develop/devolve by itself for millenia, heretical technology and beliefs have blossomed even in the apparent absence of Chaotic influence.

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"Arbite Bannerman"


 This fellow - I have attempted to thumbnail at least a dozen times, and draw full A4 at least once and it just doesn't want to manifest.

My idea for the remnants of Arbites and law enforcement on this planet is that they have split up and regionalised - becoming more and more medieval the further away they are from the Capital and other large towns and cities.

Ironically, the higher ranks want to emulate nobility - and look as individual and lavish as possible, looking more like Warhammer fantasy Empire generals than soldiers, with feathers in their caps and colloquial technology such as duelling flintlock pistols.

I liked the idea that recruits would be given the most useful weapons and armour because they were not "fashionable" so you might have scrawny kids with big ancient arbite helmets wobbling on their heads as the mascot of a group, like a drummer boy.

I figured that it in the most rustic areas they might have recruited a fellow who had never seen a gun fired in his life. He might have a family heirloom of a shotgun that had only ever been used as an improvised club. One of my thumbnails had this fellow staring dumbfounded at a bullet/shell given to him as a reward by his superior, completely confused as to what he was to do with it.

Another idea was for some kind of boltgun to be the symbol of an Arbite leader, but for the bolter shells to be so rare that it was a purely ceremonial object. A "white elephant", it could not be relinquished or disgarded, despite being a huge lump of useless metal. Essentially some servant would be required to constantly carry this thing wherever the leader went, perhaps strapped to his back, as a symbol of office - in fact, maybe nothing else would be acceptable as a symbol of office to all the peasants in the outermost places. If you turned up with an "official seal" they'd think it was suspicious and easy to copy - but some huge lump of intricately detailed metal - well you'd have to be the real thing with that as a sign of office!

This fellow is veering towards medieval, with his metal helmet, shotgun that could be club or firearm, and the fur of some dead beast cloaked over his shoulders. Banners flutter in the wind, showing symbols of the weighing scales - one of the few signs surviving that these forces think of themselves as Arbites.

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"Lanternman"
 


  The usual trope in mainstream 40k stuff is fire and flame, promethium, burning the heretics etc. etc.

But I rather like the idea of citizens worshipping light rather than simply flame - light including electrical light. Venerating it almost as a lost technology.

This fellow is a Lantern Man, one of a great variety of penitents or semi religious nomads/tramps.

They provide illumination and navigation for caravans of traders, pilgrims or monster hunters as they move between settlements or through tunnels, having no real home, relying on the generosity of their wards for food and shelter.

His lamppost and battery backpack are hierlooms, passed down from father to son, with almost no knowledge surviving on how they work. Probably only a fraction of the mass of the backpack actually generates the power for the lights, with slung together technology having built up like sediment over the centuries. A forest of different power adapter wires dangles from... somewhere, allowing him to plug it into local power generators when he stops to rest. Whether this actually helps or whether there's a gram of radioactive material with a half life of 10,000 years ticking away inside - who knows? Every Lantern Man is different!

A variety of replacement lightbulbs adorn his belt, a bit like other characters would have spare ammo clips or grenades!

He clutches The First Bulb, a burnt out power unit turned into a relic of significance for Lantern Men, a bit like rosary beads, allegedly the very first bulb that one of his great gr. gr. etc. grandfathers would have begun the tradition with.

For his weapon, I imagined an ancient, completely broken Power Maul, which is now simply a club with some phosphorescent material inside it to make it mimic the appearance of its former glory!

His weapon has a cable tied around his arm - this is inspired by the way that Black Templars are chained to their bolt weapons - I like the idea that he can never relinquish his "guiding light" and therefore his responsibility in guiding travellers in the darkness.

He is bald with perhaps whisps of hair - with various burn marks over his skin and scalp. He is a man constantly strapped to a lot of electric power and I imagine that the urge to tinker and explore the heirloom means that he is covered with scars with a lot of burnt off body hair!  His forearm and hand have a remnant of some metal on them with half legible numbers on. Along with the equipment, the idea is that the shreds of some ancient imperial adept uniform have survived down the long years, the origin of the Lantern Man probably being some splinter group of some very menial Imperial techs who only knew how to change light bulbs in the City.

The larger insect hunting moths is some genetically modified dragonfly, fearsome to look at but much venerated by the populace as one of the surviving bioforms from the initial colonisation/terraforming, designed to make marshlands habitable with a voracious appetite for mosquito and other pest type creatures.
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"Lanternman with Marrow Seekers"



One thing I like about all the vignettes you get in Warhammer rulebooks over the years are the little servitors / grots / cherubs etc. that snap at each other in the margins. Mercifully, this seems to have survived at least until 40k 6th edition and in the themed art on the GW webstore.

Here, it felt natural to add some ratlike creature on the tilting, damaged lamp on the right. So I added a whiptail, a kind of rat sized lizard creature, not really vermin but an ill tempered spiny creature in any case. It's raising it's hackles at the perch of a dragonfly to the left. If you want to eat moths for dinner, a Lantern Man's totem is a good place to sit!

I figure these gentlemen are Marrow Seekers, moving across a mostly dried up lake bed (like the Aral Sea), trying to find the remnants of what are, to the eye of a 40k player, Eldar wraithbone constructs. These are brittle, porous and ground into a power source which is used alongside the scant Promethium which is occasionally wrung from dilapidated, semi-automated sources.

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"Preacher of the Spire"



There are many fragments of Imperial Ecclesiarchy left on this world, whose energies have been turned to strange things in the virtual absence of the light of Holy Terra.

One such faith goes by diverse names but is called in official channels the Church of the City Unattained, but also goes by Faith of the Spire among lay people. Different splinter sects of this movement regularly roam the planet, making pilgrimages to places they believe are the foundations of a mythical paradise city they were cheated out of when the planet was isolated from the Imperium.

The Capital city has many grand pillars and attempted excavations that have since been built through under and over. These great cisterns, caverns, pipes, tunnels, vast pillars and girders were the beginnings of the long process of turning the world over into a productive Hive world.

The Faith believes that these decayed fragments are an eternal reminder of the failure of the people of the world to live up to the Emperor's standards. They are forever chipping away at these remnants and turning them into holy "relics" even though the vast majority of them are sewer maintenance parts from the foundations. They have no real mental image of what a Spire or a Hive even consists of, but they venerate the Imperial Eagle in their masks and iconography as they see it on the ancient bulkheads that survive.

I imagined the the flying buttresses and eagle heads from the Imperial Sector kits would be a big motif for this cult. They would wear masks which were just that kind of aquila pointing forwards or maybe blank art deco masks like the Sigmarites have from AoS.

I would imagine their cloaks are dyed differing shades of blue/green in mimicry of the Verdigris they would see on old ruins.

The holiest artefacts wouldn't just be torn up bits of pipes and plascrete but rather, working or legible bits and bobs from thousands of years ago. This fellow is attempting to read some huge bound manuscript which in reality is probably a detailed treatise on waste water management rather than the one true path to the Lost City.

Mummified servitors that have been torn from the walls of ancient tunnels are sometimes turned into "living saint" type reliquaries.

This Faith is seen as something of a pest by the authorities as they travel around the feudal areas encouraging the peasants to build bizarre, aimless towers to appease the Emperor and encourage him to return and finish building his Spires. This has the result that there are areas of the planet littered with strange follies and earthworks in primitive imitation of what the Administratum began to accomplish.

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"Sin-Eater"



I figured this chap to be a hanger on with groups like the Faith of the Spire. He has sworn a vow of silence and communicates through the countless strips of parchment and seals which make up his clothes.

He makes his living taking food / drink or some small coin to write down the prayers and names of those living and dead who will never get to live in the promised Spire. Essentially, he mourns the living and the dead who never had the chance to live in the promised land of the Spire Unattained. He will also take some of your sins for you as an indulgence... Lighten your soul as well as your coin purse, of course.

My thoughts were that yes, he has a little airbrush type quill with an ink reserve and a compressor on it. He has candles for wax seals aplenty. His backpack would have all sorts of seal stamps and spare candles, perhaps even a canister just full of hot wax and a little spigot to pour it out as it's needed. His collar and shoulders are covered with the latest promises, but his entire coat is composed of the oldest ones woven into it to replace wear and tear. After years of travelling and sin eating his coat is entirely made of cured leather, vellum and parchment. He carries a coin box on his waist a bit like a Boxing Day collection box.

His staff top is probably an ancient servo skull whose grav motors gave out centuries ago, with a scroll stuffed into it's mouth, a good symbol for a sin eater.

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Monday, 21 March 2016

Warhammer Art: Harry the Hammer

I was at a friend's house as he hosted an Oldhammer weekend, and I was enthralled with the old Warhammer sourcebooks; Realm of Chaos and Slaves to Darkness.  I'd also come across a 25th anniversary of Warhammer piece of artwork by John Blance of "Harry the Hammer".

Harry was the original Chaos Warrior on the front cover of the 1st edition of Warhammer Fantasy Battle and has had a couple of models made in the time since which follow the archetypical Chaos Warrior formula.

I thought I'd have a go at something nicely embellished and covered in skulls so I cracked out the sketchbook as my friends played 3rd edition WFB!


Monday, 8 February 2016

Warhammer Art

I am resolving to draw more and learn about digital art, to make that something I can pursue as a career and not just as a hobby.

To that end as I draw things, even partial illustrations like this - I will be adding them to my blog as I attempt to break out of the trappings of the amateur.


When Dark Angels were redesigned for 40k, relics were a recurring theme. They appear on the Landspeeder Vengeance, on the Nephilim fighter, on the Ravenwing Command Squad... But there is no reliquary retinue, as you sometimes see in Space Marine official art.

In the 2009 and 2014 Space Hulk re-issues, one of the Blood Angel objectives is a beautiful model of a dead marine in Terminator armour on a throne. I always thought that would be a wonderful base for a conversion of a beatified Space Marine, mummified in his armour, surrounded by chapter serfs and thralls, swinging incense and lighting black candles, providing a morale boost or a force field save to nearby rank-and-file troops.

I liked the image of a Space Marine with candles burning across the back of his armour so I quickly sketched it:

Chaos Space Marines have an aesthetic that is mutable as Tzeentch, and I think the best examples of it are found in the Forge World conversion sets and the "Dark Vengeance" Chosen models.  It's something I never quite get right but occasionally I do an ink sketch I really like:

An older Vampire Counts sketch - I had a strong mental image of a very dark, skeletal Dire Wolf,  and half decayed steeds for Black Knights:



Illustration for a BBC Radio 4 adaption of Neil Gaiman's excellent "The Truth is a Cave in the Black Mountains".  They hosted the pictures on their websie for a while.  Some were very simple, by school children doing a class project, others were by very talented illustrators:


Sunday, 21 June 2015

Dad's Day Drawings

Since it's Father's Day, I thought I'd share a funny little tradition that I started years ago for my Dad.  I love finding and choosing cards because nowadays the noisy, tiresome "U R <age> WELL DUN" ones are not the only option.  Local artists make their own you can pick up at craft fairs and even chain stores have artsy unique cards that offer variety.

Even with that choice, I felt like I should be putting a bit of originality into my well wishing for my parents, considering how much they do for me, so I decided to draw little cartoons of my father's favourite animal; the hare.



Above are two from a few years ago - and below one I drew last night, I hope showing how I've developed to sketch things a bit more organically and characterfully.


 Happy Father's Day, everyone!